Marva Collins, a former substitute teacher whose success at educating poor black students in a private school she founded made her a candidate for secretary of education and the subject of a television movie, died on Wednesday in a hospice near her home in South Carolina. She was 78. […] After working as a substitute teacher for 14 years in Chicago public schools, Ms. Collins cashed in her $5,000 in pension savings and opened Westside Preparatory School in 1975. The school originally operated in the basement of a local college and then, to be free of red tape (the same reason she said she had refused federal funds), in the second floor of her home.
She began with four students, including her daughter, charging $80 a month in tuition. Enrollment at the school, on Chicago’s South Side, grew to more than 200, in classes from prekindergarten through eighth grade. It remained in operation for more than 30 years.
Ms. Collins set high academic standards, emphasized discipline and promoted a nurturing environment. She taught phonics, the Socratic method and the classics and, she insisted, never expected her students to fail.
“Kids don’t fail,” she once said. “Teachers fail, school systems fail. The people who teach children that they are failures — they are the problem.”
At Westside Prep, she said in 2004 when she was awarded the National Humanities Medal, “there are no dropouts, no substitute teachers, and when teachers are absent, the students teach themselves.”
“We’re an anomaly in a world of negatives,” she added. “Our children are self-motivated, self-generating, self-propelled.”
An article about the school in 1977 in The Chicago Sun-Times attracted national attention, an interview on “60 Minutes” and the interest of filmmakers, who went on to produce “The Marva Collins Story,” a 1981 television movie on CBS with Cicely Tyson playing Ms. Collins and Morgan Freeman as her husband. […] As her stature as an educator grew, she began to train other teachers from around the country and published several books, including “ ‘Ordinary’ Children, Extraordinary Teachers” and “Marva Collins’ Way,” written with Civia Tamarkin. Speaking engagements followed.
In 1980, President-elect Ronald Reagan was said to be leaning toward choosing Ms. Collins for secretary of education, but she said she would reject the job if it were offered. By that time she had already turned down offers to run the public school systems in Chicago and Los Angeles. […]
She insisted that she never craved awards or publicity. All she wanted, she told The Island Packet, the local newspaper, in 2007, was “to be able to say I got an A-plus on the assignment God gave me.”
You can read some comments from past students at jetmag.com.
This book presents a theory of heterosexual romantic love. The book argues that heterosexuality enables romantic love in a way that integrates with all aspects of a man and woman, including masculine power and feminine beauty. Author Ronald Pisaturo identifies differences between men and women while recognizing the utmost intellectual ability, rationality, and resultant moral virtue possible in equal measure to each sex. He argues that sexual orientation is the result of volition in the same way that other values pertaining to romantic love are volitional: although we do not directly choose our sexual orientation, as we do not directly choose what personality traits will attract us, we do make more basic choices that cause our sexual orientation.
Pisaturo debunks the mainstream theories that “affirm” non-heterosexual orientations, and argues that objective cognition—in particular, the holding of concepts that clearly identify and emphasize sex-specific romantic values—requires that the concept of marriage refer only to man-woman relationships. Moreover, the proper role of government in marriage is as protector of individual rights—of the husband, wife, and their children—not as social engineer for the ‘public good’.
This book offers an objective alternative to the mysticism of religion and the subjectivism of much of modern philosophy, science, and culture.
An overarching theme of the book is that every individual should understand the personal, chosen values that are consistent with his own sexual orientation. The author offers, in good will, this challenge to all readers: “I can explain my sexual orientation. Can you explain yours?”
The book makes many arguments — some we are not sure we agree with — but it looks interesting enough that it deserves a read.
Today’s Supreme Court decision on same-sex marriage is a great result, but based on dubious reasoning. It is undoubtedly a momentous occasion for gays and lesbians around the nation. In a comparatively short time, they have moved from being a widely despised minority whose intimate relationships were criminalized in many states, to full marriage equality around the country.
For gays and lesbians seeking the right to marry and for many of us who have supported their cause, the result in today’s case matters more than the reasoning. But the Court’s legal reasoning also deserves attention, both because it is important in its own right, and because it establishes a precedent for future cases. Unfortunately, much of Justice Anthony Kennedy’s majority opinion is based on dubious and sometimes incoherent logic.
Gay rights advocates have advanced several different rationales for a constitutional right to same-sex marriage. In my view, the strongest is that laws banning same-sex marriage discriminate on the basis of sex, much like laws banning interracial marriage discriminate on the basis of race – a position defended in an amicus brief I coauthored with Prof. Andrew Koppelman. But some of the other rationales for a right to same-sex marriage are also plausible, particularly the theory that laws banning it engage in unconstitutional discrimination against gays and lesbians.
Unfortunately, Justice Kennedy’s majority opinion doesn’t clearly endorse any of the various arguments previously advanced for a right to same-sex marriage, even as it to some degree nods at all of them. The result is a far from satisfying majority opinion.
I write this to explain why I’ll be holding back my album, 1989, from the new streaming service, Apple Music. I feel this deserves an explanation because Apple has been and will continue to be one of my best partners in selling music and creating ways for me to connect with my fans. I respect the company and the truly ingenious minds that have created a legacy based on innovation and pushing the right boundaries.
I’m sure you are aware that Apple Music will be offering a free 3 month trial to anyone who signs up for the service. I’m not sure you know that Apple Music will not be paying writers, producers, or artists for those three months. I find it to be shocking, disappointing, and completely unlike this historically progressive and generous company.
This is not about me. Thankfully I am on my fifth album and can support myself, my band, crew, and entire management team by playing live shows. This is about the new artist or band that has just released their first single and will not be paid for its success. This is about the young songwriter who just got his or her first cut and thought that the royalties from that would get them out of debt. This is about the producer who works tirelessly to innovate and create, just like the innovators and creators at Apple are pioneering in their field…but will not get paid for a quarter of a year’s worth of plays on his or her songs.
These are not the complaints of a spoiled, petulant child. These are the echoed sentiments of every artist, writer and producer in my social circles who are afraid to speak up publicly because we admire and respect Apple so much. We simply do not respect this particular call.
I realize that Apple is working towards a goal of paid streaming. I think that is beautiful progress. We know how astronomically successful Apple has been and we know that this incredible company has the money to pay artists, writers and producers for the 3 month trial period… even if it is free for the fans trying it out.
Three months is a long time to go unpaid, and it is unfair to ask anyone to work for nothing. I say this with love, reverence, and admiration for everything else Apple has done. I hope that soon I can join them in the progression towards a streaming model that seems fair to those who create this music. I think this could be the platform that gets it right.
But I say to Apple with all due respect, it’s not too late to change this policy and change the minds of those in the music industry who will be deeply and gravely affected by this. We don’t ask you for free iPhones. Please don’t ask us to provide you with our music for no compensation.