Writes Scott Holleran on Sacrificing Harvey Weinstein:
The downfall of movie studio executive Harvey Weinstein following articles earlier this month in The New Yorker and the New York Times alleging sexual assault and harassment not only demonstrates Hollywood’s hypocrisy, though it certainly does that. What’s happened in the two weeks since the Weinstein claims first emerged has major, possibly ominous, implications for due process, free exercise of speech and the press, and moviemaking.
…Harvey Weinstein’s fast, epic downfall makes faster the fusion of the New Left’s and conservatives’ political agenda. The result is likely to be accelerated momentum toward a common, sinister goal: total government control of the arts, starting with movies.
In a statement, the Academy celebrated its expulsion of Oscar-winning Harvey Weinstein by boasting that he was rejected by a vote “well in excess of the required two-thirds majority.” The Academy, which has initiated no action against members accused of serial rape and sued for sexual assault (Cosby), convicted of drunk driving before lashing out against Jews, gays and women and pleaded no contest to a charge of battery against an ex-girlfriend (Gibson) and those who plead guilty to a sex crime involving a 13-year-old girl (Polanski, who fled the country), added that they expelled Weinstein “to send a message that the era of willful ignorance and shameful complicity in sexually predatory behavior and workplace harassment in our industry is over.”
Cautioning against jumping to conclusions about Harvey Weinstein fell to film director Woody Allen — who, incidentally, has been offered membership in Hollywood’s academy and refused — who warned that Hollywood’s and New York’s purge “could lead to a witch hunt atmosphere, a Salem atmosphere, where every guy in an office who winks at a woman is suddenly having to call a lawyer to defend himself. That’s not right either.”
The entire article is worth a read.
Writes Ben Shapiro on The Group That Got Ignored in Charlottesville | Daily Wire:
In Charlottesville, Antifa engaged in street violence with the alt-right racists. As in Weimar, Germany, fascists flying the swastika engaged in hand-to-hand combat with Antifa members flying the communist red. And yet, the media declared that any negative coverage granted to Antifa would detract from the obvious evils of the alt-right. Sheryl Gay Stolberg of The New York Times tweeted in the midst of the violence, “The hard left seemed as hate-filled as alt-right. I saw club-wielding ‘antifa’ beating white nationalists being led out of the park.” After receiving blowback from the left, Stolberg then corrected herself. She said: “Rethinking this. Should have said violent, not hate-filled. They were standing up to hate.”
Or perhaps Antifa is a hateful group itself. But that wouldn’t fit the convenient narrative Antifa promotes and the media buy: that the sole threat to the republic comes from the racist right. Perhaps that’s why the media ignored the events in Sacramento and Berkeley and Seattle — to point out the evils of Antifa might detract from the evils of the alt-right. That sort of biased coverage only engenders more militancy from the alt-right, which feels it must demonstrate openly and repeatedly to “stand up to Antifa.” Which, of course, prompts Antifa to violence.
Here’s the moral solution, as always: Condemn violence and evil wherever it occurs. The racist philosophy of the alt-right is evil. The violence of the alt-right is evil. The communist philosophy of Antifa is evil. So is the violence of Antifa. If we are to survive as a republic, we must call out Nazis but not punch them; we must stop providing cover to anarchists and communists who seek to hide behind self-proclaimed righteousness to participate in violence.
Heather Mac Donald opines on how UCLA ” decimated its English major” under the banner of ““alternative rubrics of gender, sexuality, race, and class” in our excellent article The Humanities and Us | City Journal:
[T]he UCLA English department—like so many others—is more concerned that its students encounter race, gender, and disability studies than that they plunge headlong into the overflowing riches of actual English literature—whether Milton, Wordsworth, Thackeray, George Eliot, or dozens of other great artists closer to our own day. How is this possible? The UCLA coup represents the characteristic academic traits of our time: narcissism, an obsession with victimhood, and a relentless determination to reduce the stunning complexity of the past to the shallow categories of identity and class politics. Sitting atop an entire civilization of aesthetic wonders, the contemporary academic wants only to study oppression, preferably his own, defined reductively according to gonads and melanin.
W. E. B. Du Bois would have been stunned to learn how narrow is the contemporary multiculturalist’s self-definition and sphere of interest. Du Bois, living during America’s darkest period of hate, nevertheless heartbreakingly affirmed in 1903 his intellectual and spiritual affinity with all of Western civilization: “I sit with Shakespeare and he winces not. Across the color line I move arm in arm with Balzac and Dumas. . . . I summon Aristotle and Aurelius and what soul I will, and they come all graciously with no scorn nor condescension.”
[T]he only true justification for the humanities is that they provide the thing that Faust sold his soul for: knowledge. It is knowledge of a particular kind, concerning what men have done and created over the ages. The American Founders drew on an astonishingly wide range of historical sources and an appropriately jaundiced view of human nature to craft the world’s most stable and free republic. They invoked lessons learned from the Greek city-states, the Carolingian Dynasty, and the Ottoman Empire in the Constitution’s defense. And they assumed that the new nation’s citizens would themselves be versed in history and political philosophy. Indeed, a closer knowledge among the electorate of Hobbes and the fragility of social order might have prevented the more brazen social experiments that we’ve undergone in recent years. Ignorance of the intellectual trajectory that led to the rule of law and the West’s astounding prosperity puts those achievements at risk.
For those wish to understand what is wrong with today’s universities The Humanities and Us is a must-read.